Millie Simic
Art Trail 2025, Coochiemudlo Island
Big Sky by Millie Simic
Early Morning Kayak by Millie Simic
Vase of Roses by Millie Simic
Although I paint in a few mediums, the process is somewhat the same. Plein air was the preferred setting for many years but as time has gone on, I’ve opted for studio painting.
I often go for walks around the island I live on and take photos of parts of the landscape that strike me as beautiful, majestic or soul stirring, sometimes a friend will share a photo that is particularly beautiful and ask if I can use the photo for a painting. This is the beginning of my work and very important.
Next, I choose a medium that I think will portray the landscape to its fullest potential. This could be soft pastel, watercolour, oil paint or acrylic paints.
I then concentrate on colour choices (my work isn’t always true to the landscapes palette), composition/design and feelings towards the subject. Underpainting colours are chosen before I decide on the topcoat or, completed look of the artwork. Size of the painting is a big factor as well, sometimes a two-metre painting is very dynamic and will show off the subject perfectly and sometimes a small painting can tell the whole story perfectly too. When using pastel, I’m a bit restricted in size. But canvases can reach 3 to 4 metres if that’s what I would like.
The actual painting process is both left and right brain, in that, at times I’m thinking of colour combinations and how light is depicted, I must make sure the composition isn’t awkward and then the good part is working intuitively and allowing the muse to take over. I never really know how a painting will eventually evolve and that’s very exciting. Photos can be copied but using your artistic skill and knowledge and allowing ‘something’ unique to evolve is, in my opinion, much better.
After the work is completed, I ‘sit’ with the work for about a week, just to make sure there are no adjustments needed.
Meet Millie and see her work at:
Studio #5, 1 Shirley Street